Tag Archives: reversed lens

Macro Photography Techniques – Part 6 – The End

This is the 6th and final post in the macro photography techniques thread. Once I get some more results with my external flash macro shots I will add flash information to the series.

Macro Photography Techniques

  1. Close Focus Lens
  2. Teleconverters
  3. Extension Tubes
  4. Reversed Lenses
  5. Macro Lens
  6. Combining Techniques
  7. Close Up Filters

How Do You Combine?

When I say combining techniques, I’m referring to a few options, I will give each a small write up.

Teleconverters and Reversed Lenses

This is a method I only tried very recently, it gives huge amounts of magnification, very short working distances, but very cool shots are possible. This method involves mounting a teleconverter to your body, then mounting your reversed lens to your teleconverter. You effectively double the magnification you get from the reversed lens setup. The trade offs in this case are, losing 2 stops of light (assuming a 2x teleconverter), short working distance (distance from lens to subject), tiny depth of field and extreme magnification (this makes it hard to frame handheld, as tiny movements result in big shifts in composition). I was put onto this method by this guy. Check out his flickr for some truely amazing macro photography. He combines various techniques involving off camera flash, reversed lenses, teleconverters, bellows, extension tubes and focus stacking.

Extension Tubes or Bellows and Reversed Lenses

This is a similar method to the previous. If you mount your reversed lens onto a set of extension tubes (or bellows), you will increase your magnification. The same trade offs apply as with the previous method, loss of light, shorter working distances, smaller depth of field, and larger magnification. This is not a method I have personally tried, but I know it works as I have seen the results!

Combine The Above

So what about a set of tubes or bellows, then a teleconverter, then a reversed lens? Well imagine the magnification!!!!! But the working distance might become so short, that the subject would actually have to be INSIDE the lens. This is obviously not possible, so take care you aren’t going for too much magnification.

What About A Macro Lens?

You can very easily use a macro lens in the above methods, instead of using the reversed lens. Either method (or both) will allow greater than 1:1 magnification for those super close shots.

Would You Believe It?

As I am typing out this post, a baby gecko appeared on my window sill. Naturally (with macro on the mind) I grabbed the camera off the desk, grabbed the 28mm with reverse adapter already mounted from the drawer and took his photo. I will be sure to post the shot when I am able to process it fully. As a side note, I discovered a new little trick. It will work with K mount lenses, but I’m not sure if it will work with others. On the back of the lens is a small lever, this is what the body uses to actuate the aperture for wide open focusing, stop down shooting. If you are careful about how you hold the lens, you are able to actuate this lever with a finger, to give the same effect. The gecko was sitting on a white windowsill, with a very close working distance and onboard flash at full power (it always fires full power with non “A” lenses) I needed to stop all the way down to f22.0. At f22.0 the viewfinder is basically completely black so this little trick allowed me to get the shot I wanted.

Result

Here is a shot I took using a reverse mounted 28mm lens, a 2x teleconverter, and the onboard flash. This insect was less than 10mm long, so you see the huge magnification this combination allows.

 

ISO 100, probably around f16 aperture, 1/180 sec, onboard flash

The End

Thanks for reading the final post in this series (for now). If there are other methods you would like me to cover then let me know however you can, and I’ll get onto it! And don’t forget to keep an eye out for some shots of the baby gecko.

Macro Photography Techniques – Part 4

The 4th installment of the macro photography techniques series will cover reversed lenses, and my experience using a reversed lens. A reversed wide angle lens can give very high magnification.

Macro Photography Techniques

  1. Close Focus Lens
  2. Teleconverters
  3. Extension Tubes
  4. Reversed Lenses
  5. Macro Lens
  6. Combining Techniques
  7. Close Up Filters

Reversing Your Lens

The idea behind a reversed lens, is to use a wide lens (I use my Pentax M 28mm) because it is designed to take a large image, and project it onto a small spot (the sensor). If you reverse that lens, it is then taking a small image and projecting it onto a large area. To reverse your lens you will need a reversing adapter. This adapter has a standard lens mount on it, and a thread mount on the other. You need to get a thread mount in the correct size for the lens (or lenses) you wish to reverse. My Pentax M 28mm has a 49mm filter thread, so I needed a 49mm Pentax K reverse mount.

To mount your lens, you simply screw the adapter into the filter thread of your lens, then mount the lens using the adapter’s K mount (or whatever mount you are using).

Aperture?

When using a reversed lens, there is no way for the camera to operate the aperture of your lens, so you will want to use a lens which has an aperture ring that allows you to set the desired aperture. Some of the newer digital lenses do not allow this.
The second problem this can cause, is if you want to use a smaller aperture (larger f-stop number) it will be very dark to look through the viewfinder, this can make composing and focusing your shot very difficult. This is one of the drawbacks of using the reversed lens method.

Focusing

This method of macro photography will require a very close working distance. Working distance is distance from the subject to the lens. So be prepared to get down and really get in close to your subjects. The other thing it means is a very very narrow depth of field, sometimes it can be so narrow you will find it hard to get something in focus.

To focus with a reversed lens I still use the handheld, moving back and fowards method I described in Part 1, however, I take many more photos of a single subject than I would using the other methods. This is because the viewfinder is often dark (I try to use the smallest aperture I can get away with) and because the depth of field is so narrow. The hope is that at least 1 of the photos I take of any particular subject will have the focus in the correct position.

Results

Here are a couple of photos taken using this technique. You will notice the high magnification of these subjects, this is the power of the reversed lens.

reversed 28mm lens, ISO 100, f11 or so from memory, 1/180 sec, onboard flash fired.
Reversed 28mm lens, ISO 400, f4 or 5.6 from memory, 1/400 sec
UPDATE: I have added some shots of my Pentax SMC M 28mm f2.8 lens reverse mounted on my K200D, and a photo of the reversing adapter itself to my Part 5 post